Tuesday 22 October 2013

DAWN OF THE DEAD - title sequence analysis


‘Dawn of The Dead’ title sequence analysis

“How does the director use media techniques to make this title sequence effective?”


The director has used many techniques in the title sequence of ‘Dawn of The Dead’ to make it both capturing and informative for the audience. These techniques include mise en scene, sound, editing and camera work. Most of these techniques are used to draw the audience into the film to make them want to keep watching, making it effective.

The director has used mise en scene to express how the fundamental world which we know has been torn apart. We are shown a medium, eye level shot of some kind of office area which has been completely abandoned, obviously in a rush, as paper and various other objects have been scattered over the ground. This is only shown for a second as the editing pace is extremely fast. These two elements suggest the rush which the people left in and the state of national panic which the film is set in, the effective of this is that the audience knows the extent of this disaster. It also shows the audience that this event has affected ordinary people not only politicians or the military, this idea is also represented by the fact that it is taken with a hand held shot which appears to have been taken from a mobile phone or some kind of ordinary low-quality recording device, adding to the emphasises that this disaster has affected normal civilians it also helps to reflect the place where the film is set. The shakiness of the camera also emphasises the person recording’s fear about what is going on, as people “shake” with fear as they would be breathing heavily which would cause the camera to shake. This idea may also possibly suggest that our main character(s) will be ordinary people dealing with the supernatural.

This medium shot of the office setting may also be a symbol to represent society as a whole in the film; it has been broken down and abandoned by its inheritance, like the abandoned office setting. This hints to the audience that this film contains themes of panic and running away from danger. This sets the atmosphere of the film, we know the rough story line of what is going to happen in the film just from this little scene, it is about surviving a broken society. Office and economy work are the foundations of society and so by suggesting society has been broken represents the breakdown of the world. Similar to this scene many other shots also were hand held as if things were being filmed spontaneously instead of it all being planned out and calm. This makes the sequence effective as it gives the audience information which hints at to what the rest of the film will be about and thus makes them want to watch the rest of the movie to find out what really happens, this makes this scene camera work act as a “hook” drawing the audience in by repeating a similar technique throughout linking each individual scene.

Another part of the mise en scene which was effective was the zombie’s make up, it was very realistic looking, they were covered in realistic looking blood and scars, adding to the element of realism within the opening sequence. The camera work and editing also helped to make the zombies appear more realistic. The camera is often hand held shots to show the “non-staged” element of the movie, the rush of the people moving away from the danger or the zombies attacking those who are filming, this helps to make the film appear more realistic as it doesn’t run “smoothly” and gives the effect of just being people’s pieces of recording placed together, something much more relatable as we can all video record using phones etc. The editing makes the scenes with the zombies change quickly with fast paced editing this is to make sure we only see a flash of the zombies, this has been done to add an air of mystery in the sequence making the audience want to continue watching the movie to discover the enigma which has been caused. It may have also been done so that we focus on the main colours in each snippet of film. The main colour is red to create a graphic match between each scene. This red is used mostly for the zombies make up to make them appear as if they have been eating human flesh, it is also used within the text on the scene. Red connotes danger and death which is a convention of a zombie apocalypse film, this helps the audience to be able to identify what genre the film is very simply, and it also makes the audience feel the element of danger within the storyline of the film. The zombies make up therefore makes the audience feel scared and helps them understand the sense of danger within the movie; this realistic effect also helps add to the effectiveness of the title sequence as it makes everything appear as if it could really exist in today’s world. The effect on the audience would be fear, as the storyline now appears more realistic and could happen in their everyday lives.

Another thing which emphasises the genre of the film is the credits themselves. They are made with red text against a black background, this makes sure they are easy to read. The idea that they are placed in red helps to connote the theme of danger and death. The font is quite small in comparison to the size of the screen and the font is quite simple, this makes it easy for the audience to read and abides by the rules created about the opening credits. The text then runs off of the page in the form of blood, this also helps link to the rest of the sequence as there is a lot of blood or other gruesome images. This is another convention of a zombie film, blood. This all makes sure the text is linked back into the mise en scene and the zombies themselves, for example where there was a close up of a zombie being pinned down by medical people it coughed up blood. Creating this link allows the opening credits link together with the images. This makes the title sequence effective as it helps make the sequence flow and make sense as one piece instead of being too confusing for the audience.

The director has chosen to use a country themed song as the non-diegetic soundtrack. This is a song by Johnny Cash called ‘The Man Comes Around’. The song has a happy, upbeat melody, which contrasts strongly with the violent visual elements of the film. The visual parts of the film show death, destruction and pain, whereas the song sounds happy and joyful, this is a deliberate juxtaposition to capture the audience’s attention and make them wonder why this has been done. The fast paced editing also contrasts with the slow paced song. This is done to capture the audience attention as conventionally zombie films have sad songs instead of happy feeling ones. I believe the director has chosen to use this non-diegetic sound to make his film stand out against the other zombie films which don’t have upbeat soundtracks. This automatically draws the audience’s attention into the film as they are confused about the use of a soundtrack placed next to such violent zombie images; this makes the title sequence effective as people will want to watch this film as it is “different” from other zombie films.  If you listen to the song’s lyrics it is about the apocalypse and so this links to the theme of the film, emphasising what the film will be about. Another interpretation would be that this is an “everyday” sounding song and thus shows that this apologise is the “normal everyday” now, this adds to the idea which I previously said that everyone is affected and therefore this is the new world and so the new normal.

Another diegetic sound which is used is the idea of news broadcastings. This also emphasises the idea of it being a national disaster and adds to the realism of the event when paired with the jumbled fast paced editing. The sounds giving this effect are also jumbled up, giving it a disorganised; frantic effect again adding to the sense of no one knows what is going on. These sounds also form several sound bridges linking a broadcast to a shot or zombies or a text scene. For example right at the beginning there is an interview going on with a politician telling the interviewers what is happening. We don’t see the speaker and so his voice acts as a non-diegetic voice over explaining the situation but in a realistic way. This enables the audience to understand the situation which is presented, that even the politicians have no idea what is going on with this zombie attack. This is paired with faced paced canted shots of zombies to show a visual of what the man is describing through his dialog. The politician keeps repeating the dialog “we don’t know” this also adds to the sense of confusion, along with the shots of the zombies it leaves the audience wondering what is going on and they will want to watch the rest of the film to find out what is happening and why. The phrase “I don’t know.” acts as a hook, the audience will remember this line throughout the opening sequence making them realise the sheer confusion of the characters. This makes the title sequence effective as it captures the audience attention as they want to know if they find out why there are zombies. This may have also been done to represent the people running the country as stupid and unable, this also links to the idea that our main character will be an ordinary person.


Monday 21 October 2013

CATCH ME IF YOU CAN - title sequence analysis

‘Catch Me if You Can’ title sequence analysis

‘How does the director use media techniques to make the title sequence of ‘Catch Me if You Can’ effective?


The director has chosen to use an animated title sequence for the movie ‘Catch Me if You Can’, this gives the movie a more “comical” look instead of a serious one, this may suggest an element of comedy within the movie. The animation also shows us some kind of chase scene which is one of the conventions of a spy film. From this opening sequence alone the audience may be able to understand that it is a spy film with an element of comedy. The sound helps to do this as there is a non-diegetic soundtrack. This sound track is fast paced with many short notes; this helps the audience to imagine someone perhaps running away which adds to the idea of a spy movie. The upbeat rhythm of the music may also sound quite happy and therefore tie into the idea that it is a comedic film. Something which helps the sound to portray a spy film is the mise en scene, especially the costumes. The costumes of the main character are constantly changing which links into the idea of a spy movie and the idea of hiding as many different identities. I think that the sound and mise en scene work effectively together to help the audience understand the genre of the movie.

After a while the music becomes tenser, by it becoming deeper in pitch. This has been done to draw the audience into the sequence, by changing the music it makes the audience gain interest in the sequence again instead of them losing interest because the music is too repetitive. This tense music may be used as foreshadowing that the film will start light-hearted and become more dramatic. This tense music is paired of lots of close ups of the animated main character, he keeps looking behind himself, this hints that he is being caught up to by whoever is chasing him. Although we cannot see his facial expression this may show that he is getting scared about being caught, again foreshadowing the end of the movie where he is caught. This makes the title sequence effective as the audience will want to watch the film to find out if he is ever caught and what happens to this main character.

A tracking shot is used to follow the main character swimming through a swimming pool, this has been done to emphasise some kind of luxury within the characters life. This may be suggesting that he is running away because he has stolen some kind of money which has allowed him to buy things such as a pool. It may also show that he cannot enjoy these luxuries as he is constantly being chased, emphasised by the man who has been chasing him appearing the second his gets into the pool. This pan/ tracking may also be used to show the story as a whole, a journey. This idea of travel is emphasised by the mise en scene which shows us many different types of transport, planes and cars. These both emphasise the idea that this chase is occurring on a global scale instead of just being in one country. This makes the title sequence effective as the audience will want to continue watching to find out where they go and why they are even going there. It will also attract the audience attention as stereotypically the target audience for spy films (middle aged men around 25 to 40) like exotic settings as escapism from their everyday lives.

Zooms, specifically zoom outs, are used to show a new setting.  We see the main character enter a new setting and then there is a zoom out of the setting. An example of this would be when he is standing in a pink ballroom are of some kind. We see the main character wearing a suit and then there is a zoom out to reveal where he is. This is effective because it helps to maintain the level of mystery within the opening sequence, it also makes the audience wonder which new setting the character will find them in making them more involved within the storyline. It is also effective because it helps to promote the films genre, spy, through this level of mystery. It may have also been used to represent some of the setting which the character will actually find himself within the film. The mise en scene adds to this level of mystery as we only see a rough silhouette of what is actually there, this means that in the actual there is still an air of mystery about where the character is. This is effective because it will make the audience want to watch the movie to find out about where the character will actually go and thus make them watch to watch the entire film.

The audience never sees who the actual main character is within this opening sequence. This again adds to the level of mystery within the sequence. We are given many actors names but we are not sure which is the actual main character. This idea could be used to add to the idea of the spy work, an unknown identity or false identities may be things which are present within the movie. This idea of “no identity” in fact plays a key role within the movie itself and so the audience will want to find out who this person is, therefore making them want to watch the movie as a whole.


I think this title sequence is very effective because it presents the genre of the film and some of the key storyline features of the film without giving away too much. I feel like the idea of animation creating the idea of a character with “no real identity”, I feel that if I had the technology available I would definitely make an animated sequence as it gives you a lot of freedom. I will use some of the idea such as, constantly changing music and pan outs to reveal things like setting within my own work.

MAN OF STEEL - Title sequence analysis

Man of Steel opening sequence analysis

How does the director use media techniques to make the “Man of Steel” opening sequence effective?
The director uses mise en scene to help reveal who the main character of the film will be. Many shots of the name “Clark Kent” are visible on objects within a house hold setting, this shows that he is perceived as an “ordinary” child, living in a normal house doing normal things that children do. An example would be the panning close up shots of sport statues. The name “Clark Kent” is a commonly associated with “Superman”.  This helps to show the audience that this is a “Superman” movie and thus will be si-fi genre based. There is also a photograph placed of “Clark Kent” as a boy, showing what he looks like and therefore adding understanding of what the character will look like later in the film, one main future which stands out is his black hair which is another convention of “Superman”. Another thing which helps explain the character is the non-diegetic voice over of a news reporter, “for this 11 year old the sky’s the limit.” This has been done to show that at a mere 11 years of age the character was able to do so many things and hence ties into the whole idea of si-fi and superheroes with super powers. It is also a commonly known fact that “Superman” can fly and so by saying “the sky’s the limit.” Is ironically making the audience think about all of the things which “Superman” can do, this helps to make sure the audience knows the fundamental characteristic and powers of this character. This adds to the effectiveness of the sequence as it allows us to understand a complex character quite simply and thus less time will have to be spent on character development during the actual film as their traits and abilities are already explained. These panning shots also have been used to reveal things one by one, the sheer number of trophies are slowly shown and those who maybe do not know who Clark Kent wonder why a child has so many trophies for so many different things wondering how he can be so good at all these things.

Another part of the mise en scene which is effective is the use of space as an explanation of the genre. There are a lot of extreme long shots of space or the sky, referencing to something from another world, something which is not from Earth, it also reveals that some of the film will be set in our of space or another planet as well as on Earth. This also helps to present the genre of si-fi to the audience. These shots also focus on the flying object, falling towards Earth. This could emphasize the supernatural falling towards Earth and the ordinary. Something which could also help do this is the camera work, the extreme long shot which I have print screened is shown as a hand held shot, this helps tied the idea of the ordinary and super natural combining as one within this moment. An ordinary person is filming, with some kind of recording device like a phone, something extra ordinary and super natural falling from the sky. This is effective because it shows the audience that this film will be about super natural and they can therefore work out that the genre is si-fi. It also helps to make the title sequence effective because the audience will want to know what the falling object is. It is also effective because the fact that we do not know what the object is contains a certain amount of mystery which will be revealed within the film making the audience want to carry on watching.

The sound is mostly made up of a non-diegetic voice over in the form of news reports. These explain what is going on the screen. For example, when the object is falling towards Earth there is a news report about a “ufo landing”. Also when there are the close ups of all the trophies the news reports are talking about Clark Kent. This has been done to make a direct link between our character and the UFO. Anyone who knows the Superman story line will know he came to Earth in a UFO type spaceship and so this sound link helps the audience to make this connection as they are both explained in a similar way. Another interpretation of this choice of voice over is to tie it into the idea of something supernatural affecting the ordinary. News reports are something we associate with everyday life and thus something we label as ordinary. This helps to make the title sequence effective because we can understand the situations as if it something which could happen in our everyday lives making the film appears more realistic as well as helping to introduce the background information needed to understand the film.

Towards the end of the sequence the reporter is signing off and she states her name which is placed next to a shot of her name on a news report of some kind. This has been done to again help introduce another key character into the film without actually showing them. Within the shot, this allows some air of mystery as to what Lois Lane looks like. This is effective as it doesn’t reveal too much about what this character looks like, possibly so she can appear in the film before we know who she is. The director has put this in to make the audience know she is a main character without giving away too much about her; all we know is that she is a reporter of some kind which is key to the storyline. This gives room for the director to develop this character later on in the plot and thus makes the audience want to carry on watching so they can find out more about this character. To those who know Superman would know who Lois Lane is, and therefore adds to the idea of the connotations of a Superman movie so the audience can make that connection.


The overall editing pace of the opening sequence is very slow, which is unexpected of this type of film as typically si-fi / action movies are fast paced. This makes the audience stop and watch, wondering why this has been done. It has been done to make this stand out from the other films of this genre, hence adding to its overall effectiveness as the audience will be wondering why this has been done, it also contrasts heavily with the content of the film which comprises of lots of fast paced editing. This itself makes the opening sequence stand out against the rest of the film so more attention can be drawn in. Also these constant changes in editing speed will allow the audience to not get bored, they continually watch as this creates tension. This slow paced editing also helps to create tension, alongside this there is non-diegetic music which is slow using a full orchestra. This creates a very tense “build-up” making the audience feel like something big and exciting is just about to happy, this makes the sequence effective because the audience won’t want to look away in case they miss the pivotal point.

Friday 11 October 2013

Preliminary Task Planning (shot list)


SHIRLEY HIGH SCHOOL MEDIA STUDIES DEPARTMENT
SHOT LIST


LOCATION: Becky's house

PROPOSED FILMING DATE: 1st December

Shot no.
Actors
Equipment needed
Costumes
Other
Completed?
1
Katie Sexton
Light to make sure we can see Katie
Bedtime clothes
Setting- bed (close up)
YES
2

Katie’s hand
iPhone
-
Curtains, framing the phone. (extreme close up)
YES
3

Katie
iPhone
-
Bed (over the shoulder shot of phone, close up so we can see the time)
YES
4

-
Bed sheets, dragon on ceiling
-
Bed, worms eye view looking up at the ceiling, bed sheet covers camera to black
YES
5

Katie
Costume! Make sure the lighting is good
SHOES, slippers needed
Close up
YES
6

Katie
Lighting!
-
Props: stuff to make the room look like a bedroom (medium shot)
YES
8

Katie
Tripod!
-
Panning shot of her walking to the door
YES
9

Katie
Light switch
-
Extreme close up (low angle) of switch; make sure to add in sound!
YES
10

Katie
Tripod
-
Medium, still shot
YES
11
Katie
-
-
Extreme close up of door handle, add in sound. MATCH ON ACTION
YES
12
Katie
Tripod
-
MATCH ON ACTION, mid shot
YES
13
Katie
None needed
-
HAND HELD, so shaky showing a point of view of Katie, looking down at her feet
YES
14
Katie, Chelsea
Tripod
Katie in pjs, Chelsea in “everyday” clothing
Mid shot, pan of Katie walking down the hallway
YES
15
Katie, Chelsea
Kitchen equipment, mugs, kettle etc.
-
Over the shoulder shot of Katie, Chelsea watching her
YES
16
Katie
Kettle
-
Extreme close up of kettle switch, add in sound
YES
17
-
Boil kettle, camera on tripod!
-
Extreme close up and zoom into bubbles of boiling water
YES
18
Katie
Mini tripod to hold camera at an upwards angle
-
Extreme close up, low shot looking up at teabag. Katie’s hand dropping in a tea bag to the mug
YES
19
Katie
-
-
Extreme close up of cup, water being poured into it. Add in sound of water!
YES
20
Katie
-
-
Over the shoulder shot of the mug, Katie’s point of view
YES
21
Katie
Milk!
-
Close up, overhead, shot of pouring milk into the cup
YES
22
Katie, Chelsea
Magazine in Chelsea’s hand
Same as before
Mid shot of Katie sitting at the table, Chelsea sitting reading a magazine
YES
23
Katie, Chelsea
-
-
SHOT REVERSE SHOT, Over the shoulder of Katie from Chelsea’s perspective. Make sure the magazine is within the frame – continuity.
YES
24
Katie, Chelsea
-
-
SHOT REVERSE SHOT, over Katie’s shoulder looking at Chelsea, make sure the mug is always in the right place.
YES
25
Katie, Chelsea
-
-
SHOT REVERSE SHOT, Over the shoulder of Katie from Chelsea’s perspective, check all continuity
YES
26
Katie, Chelsea
-
-
Close up, Chelsea looking at where Katie has directed. EYE LINE MATCH
YES
27
-
Glasses!
-
Close up to extreme close up zoom to the glasses. Cut to black!
YES


NOTES:

Need to make sure we set the scene first, remembering to leave out any key props, eg the mugs and glasses so they are in all of the frames to make sure the continuity is continued throughout all of the scenes. If the filming has to be done over several days make sure the costume and make up are always the same to keep it realistic looking. ALSO remember to keep each frame well lit to make sure we can see what is going on even if it’s dark outside.